Beetlejuice vases

Inspired by art nouveau, tim burton and movie set decoration those are an ongoing experimentation with unique pieces and colors.the shapes are soft but have a marine feel and some bone-like corrugation on the surface.
The last few decades have borne witness to a concatenation of efforts to rescue ornament from this denigration as excessive, from Robert Venturi and Denise Scott Brown to Farshid Moussavi to Mark Foster Gage. Broadly speaking, they constitute attempts to bring ornament, or decorative surface treatment, back into the purview of architecture. Excessiveness and affect are found to have “function.” What remains untouched, however, is that other component of the derision implicit in the merely decorative: namely, of decorating itself. This is the condescension that precedes modernism, that seems to precede everything—the insignificance of the act appears so self-evident that there is no defense needed. “Decorative,” as an insult, appears to derive ultimately from a dismissal of “decorating,” the practice.

Architecture is a profession and a discipline. It requires degrees, and therefore either pre-existing wealth or speculative income in the form of debt (at least in the United States) to legitimate itself. One must pass tests, get certified, solicit patronage. Decorating, on the other hand, does not—so it is either professionalized as interior architecture or design or left at the door. Practiced by people of all classes and demographics, it is architecture’s pedestrian mirror. So there is a classist sentiment here, as well as, considering the common associations between decorating and women and gay men, undoubtedly sexist and homophobic undertones. But there is more than sentiment at play.